The front block of the museum building dates back to 1887. It features an elegant neo-Palladian design, a European style of architecture characterised by a highly symmetrical façade and the use of pediments above windows.
Art of the Rehearsal is a three-channel immersive video installation by multidisciplinary artist Sarah Choo Jing. This artwork depicts Singaporean dancers across various cultures practicing along the back lanes of cultural districts in the city.
We are in the midst of refreshing our gallery and we will be back with a new exhibition by end July. Look out for more updates here!
Set against the larger historical context of Singapore’s early years as a young nation, this gallery offers the parallel societal changes in the tumultuous 1950s and 1960s through the kampung, school and entertainment venues.
This mural was painted over four days in a style inspired by the 19th-century landscape paintings held by the National Museum of Singapore (NMS), and presents the Museum’s rich history and collection.
By the end of the 19th century, Singapore was already a global city brought about by an influx of people, ideas and goods from Asia and Europe. This gallery explores the cosmopolitan nature of Singapore as a British Crown colony from the late 1920s to 1930s.
The Singapore History Gallery’s updated narrative charts the development of the island as it was known through the years as Singapura, a Crown Colony, Syonan-To, and finally, Singapore.
Created by renowned local photographer and artist Robert Zhao, this exhibit at the bottom of the Glass Rotunda showcases 17 images of trees around Singapore and highlight intimate stories of each.
Experience the treasured collection of the National Museum brought to life through a spectacular digital presentation, and be transported to 20th century Malaya as viewed through the eyes of artists of that time and reimagined today by interdisciplinary art collective teamLab.
This gallery shines the spotlight on how the people of Singapore coped with daily life and responded with grit and resourcefulness to the Japanese Occupation, a period of great adversity and abject scarcity. It celebrates their resilience, tenacity, resourcefulness and self-reliance.
Through cultural artefacts including music, performances, television and theatre, this gallery explores how Singaporeans constructed a complex terrain of self-expression in the 1970s and 80s.
Wings of a Rich Manoeuvre by homegrown artist Suzann Victor presents a chorus of eight kinetic chandeliers that “sing” with movement as they sway in a dramatic midair choreography of light.
The DigiMuse programme is an initiative by the National Museum of Singapore that seeks to build a vibrant cultural sector, as well as engage with the wider technology industry to encourage creative experimentation in cultural spaces. The programme invites artists, technologists and culture professionals to co-create projects, and provide considered interventions that showcase the possibilities of integrating culture and technology.
Inaugurated in 2008 by the Asia Pacific Breweries (APB) Foundation and the Singapore Art Museum, the triennial APB Foundation Signature Art Prize returns for its fourth edition in 2018.
From the iconic dragon playgrounds of the 1970s to today’s modern inclusive versions, playgrounds have informed our collective experience of growing up in Singapore. Singapore’s Playgrounds: 1930 – 2030 is an exhibition developed by the National Museum of Singapore in collaboration with the Housing Development Board.
What life was like for women in pre-Independence Singapore is the first of a three-part series by the SWHF in collaboration with the National Museum. The second, in 2019, will look at the key issues affecting women in Singapore since Independence, and the final exhibition in 2020 will look at what lies ahead.The Lives of Women series of exhibitions is the Hall of Fame’s second collaboration with the National Museum of Singapore.
This exhibition showcases a series of photographs that highlights both the immense complexities of in-island and inter-island/country movement, and the human rights implications involved in such displacements.